Angevin Just as the title says. Fiction K - English - Words: Within the patriarchy of Venetian society, the women served major purposes, sometimes being victimized and stereo-typed in its name. Though the play continues with a slightly negative motif, all is subconsciously resolved by the redeeming actions and words of one character.
Go back to the Shakespeare page for more texts and other resources. By studying these human relationships, differences in race, gender and class suggest that Venetian society consists both of empowered and disempowered groups Shakespeare's Othello is a play about human nature and relationships.
By studying these human relationships, differences in race, gender and class suggest that as in all other societies, Venetian society consists both of empowered groups, and constrained groups. These relationships, discussed with reference to Othello, Desdemona, Iago, Emilia, Cassio, Bianca, Lodovico and a number of other characters, are revealed through words and actions.
The relationship between Iago and Emilia is a superb example of power in gender roles as they were prescribed by the Renascence society. Iago, the masculine being in the relationship has the power to describe, define and ultimately destroy Emilia; the feminine persona.
The definition of women as subservient to men is exemplified in their behavior toward each other. Emilia, hardened to cynicism about male - female relationships by years of marriage, has the view that women are 'food' for men who are 'all stomachs' and 'belch' women when full 3. Iago continually describes women as 'whores' and 'wenches 3.
This subservience is momentarily subverted at the end of the play when Emilia ignores Iago's warning to 'be wise, and get home. She is immediately degraded verbally to the level of a 'villainous whore' 5.
One of the most interesting examples of power relationships in Othello is Othello gender essay between Othello, Desdemona and Iago. The use of gender differences and the changing perception of them suggests a powerful gender based conflict.
Othello and Desdemona love each other for the 'differences they perceive in one another;'3 Desdemona perceives Othello as a valiant warrior, and Othello perceives Desdemona as a woman with genuine feminine grace.
These differences are distorted by Iago, who cannot bear to see two lovers 'well tuned. The answer lies in Iago's response to the feminine, which reveals a mixture of fear and loathing; his despise of Othello for 'giving into' feminine characteristics such as love, and his despise of Desdemona, sneering that she is the general's 'general' 2.
Iago's relationship with Othello becomes a power struggle where Iago attempts to denigrate Desdemona in order to position himself so he can 'poison' 3. This power struggle is exemplified through Iago's words at the end of Act 3 Scene 3; 'I am your own forever' 3.
These are spoken by Iago after stirring Othello to hatred and jealousy, and his subsequent promotion to lieutenant by him.
They are not however, words of thanks, and a pledge to serve faithfully, but rather an ironic vow that refers to Iago's knowledge of his power over Othello.
This hatred and jealousy that Iago creates in Othello is achieved through impressive stories of Desdemona making him a cuckold. They enable Iago to bring out Othello's latent sensuality in a violent, jealous and masculine form. This torment leads Othello to assert his masculinity in an overbearing manner, providing for the victory of Iago's scheme, the silence of Desdemona, and the loss of the match of two minds.
First, it must be taken into account that Elizabethan society was largely 'based on birth and blood and there were limited opportunities for advancement, especially for those on a lower social scale. Iago, massively professionally ambitious and believing himself to be 'worth no worser place' 1.
He achieves this by telling Othello how Cassio and Desdemona made him a cuckold. In Act 5 Scene 2 however, after Emilia unravels Iago's scheme, Lodovico, Montano, Gratiano and a group of officers enter with an air of authoritative disposition.
Giving voice to socially prescribed standards of decency such as the right to 'pray' 5. Lodovico orders Othello's sword to be 'wrench ed ' from him after he lunges at Iago, then strips ' Othello's power and? It can therefor be ascertained that the ascribed power of class is a powerful one but one that is also self-assumed, yet hard to obtain.
A combined relationship of gender and class is presented by Cassio and Bianca. Bianca, like Desdemona and Emilia, is only seen in relation to men and is as such, defined by them. In pertinence to the class element in the said relationship, it must be noted that Elizabethan society required for a woman to be married in order for society to ascribe her any power.
As such, Bianca works hard to assert herself as Cassio's mistress, who treats the 'bauble s ' 4. Cassio reveals the limitations of the relationship when he tells Bianca to 'leave me for this time' 4. Further examples of the power that Cassio holds over Bianca can be seen in Act 4 Scene 1.LitCharts assigns a color and icon to each theme in Othello, which you can use to track the themes throughout the work.
Prejudice The most prominent form of prejudice on display in Othello . vegetarians essay slippery slope and euthanasia essay yoga for better living essay end cold war essay, history of philippine cinema essays on leadership the great depression causes essay what influences gender socialization essay they cage the animals at night essay medium saignant dissertation meaning essay on science blessing or curse essay.
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Published: Mon, 5 Dec Impact and role of gender in Othello Abstract. This purpose of this research paper is to determine the role of gender in the Shakespeare’s play ‘Othello’. Corbett, Lisa Ashley, "Male Dominance and female exploitation: A study of female Victimization in William Shakespeare's Othello, Much Ado about nothing, and Hamlet" ().
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